Piper (2000) for solo bagpipe
Fruits and Vegetables (2000) for baritone voice and piano
On a carpet of leaves illuminated by the moon (2000) for koto with pure wave oscillator
What Day Is Today? (1999) eight short works on tape, based on natural radio waves and other date from the Sun, Moon, Mars, Mercury, Jupiter, Venus, and Saturn
Heavier Than Air (1999) for any number of players with carbon dioxide filled balloons
Diamonds, for One, Two or Three Orchestras (1999)
Cassiopeia, Five Stars in the Shape of a "W" (1999) for orchestra
Wave Painting Songs (1998) for soprano
Rare Books (1997) dedicated to Elizabeth Swaim
Opera with Objects (1997) for performer(s) with resonant objects, composed for Sam Ashley
Small Waves (1997) for string quartet, trombone and piano, 2 dancers with 6 partially filled water containers
Sweepers (1997) for orchestra
I Remember (1997) for chorus with resonant objects
Sizzles (1997) for organ and drums with fine strewn material
Two Twenty-Two (1996) for violin, clarinet, trombone, cello and double bass, a birthday memo for Jean Shaw
40 Rooms (1996) for quintet and LARES System.
Q (1996), for quintet and pure wave oscillators.
Theme (1994) for voices and sonorous vessels, on poems of John Ashbery
Hands (1994) for organ with one or more players
Sierpinski Lines (1994) for alto saxophone and twelve strings
Night Sounds with Flame (1994) for recorded bird calls and sensitive flame
UNAMUNO (1994) for four equal voices
Two Stones (1994) for performer with two pieces of basalt
Spider Paths (1994) for extended lute
Spira Mirabilis (1994) for bass sustaining instrument and electric light
The Sacred Fox (1994) for voice with gourds, bowls, boxes and other resonant vessels
Disappearances (1994) for string quartet
Music for Gamelan Instruments, Microphones, Amplifiers and Loudspeakers (1994)
Distant Drums (1994) for amplified percussion
Wind Shadows (1994) for solo trombone with closely tuned pure wave oscillators
Serenade (1994) sound installation in collaboration with the sculptor Trimpin
Music for Accordion with Slow Sweep Pure Wave Oscillators (1993)
Panorama (1993) for trombone and piano
Indian Summer (1993) for electronic cello
Music for Soprano with Slow Sweep Pure Wave Oscillators (1993)
Music for Baritone with Slow Sweep Pure Wave Oscillators (1993)
Serenade (1993) for oboe and string quartet
In Memoriam Stuart Marshall (1993) for bass clarinet and pure wave oscillator
Music for Piano with Half-closed Lid (1993) sound installation or performance with dancers
Stacks (1993) site-specific work for solo trombone and sculpture by Richard Serra, Yale Art Gallery, New Haven, Connecticut
Three Wall Drawings (1993) work-in-progress for string trio
Music for Cello with One or More Amplified Vases (1992)
Six Geometries (1992) for chorus with slow sweep pure wave oscillators
Music for Piano with Slow Sweep Pure Wave Oscillators (1992)
Music for Piano with One or More Snare Drums (1992)
Letters (1992) for clarinet, violin, cello and piano
Navigations for Strings (1992) for string quartet
Possible Time and Motion Reversals (1991) work-in-progress for five players, two pure wave oscillators
Amplifier and Reflector One (1991) for open umbrella, roasting pan, and amplified clock
Music for Piano with Amplified Sonorous Vessels (1991)
Berlin is a Resonant City (1991) sound installation
Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system
Music for Snare Drum, Pure Wave Oscillator, and One or More Reflective Surfaces (1990)
Self-Portrait (1989) for solo flute and wind anemometer
Clackers and Swoopers (1989) for three fire engine sirens and dancers with blocks of wood
Carbon Copies (1989) for saxophone, piano, percussion and environmental recordings
Attaché Case (1988) audio tape, Metro North, New Haven to and from New York
Silver Streetcar for the Orchestra (1988) for amplified triangle
Fideliotrio (1987) for viola, cello and piano
RPM's (1987) for Kenneth Levy on his 60th birthday
Kettles (1987) for five timpani and two pure wave oscillators
A Tribute to James Tenney (1986) for solo double bass and pure wave oscillators
Sound on Paper (1985) sound installation or performance for framed paper, loudspeakers and audio oscillator
Precious Metals (1985) work-in-progress for brass and pure wave oscillators
Septet (1985) for three winds, four strings and pure wave oscillators
Serenade (1985) for thirteen winds and pure wave oscillators
In Memoriam Jon Higgins (1984) for clarinet and pure wave oscillator
Spinner (1984) sound installation for six closely tuned pure wave oscillators
Eleven Solos and a Duet (1984) for female voice, clarinet, flute, horn, mallet instruments and a string quartet
Seesaw (1983) sound installation for one fixed and one slow sweep pure wave oscillator
Intervals (1983) for chorus and sound-sensitive lights
Crossings (1982) for small orchestra with slow sweep pure wave oscillator
Music for Alpha Waves, Assorted Percussion, and Automated Coded Relays (1982)
Risonanza (1982) for three players and resonant object
Sferics (1981) sound installation and recordings of ionospheric disturbances, for large-loop antennas, tape recorder and playback system
Reflections of Sound from the Wall (1981) for audio oscillator and moving wall
Music for Pure Waves, Bass Drums and Acoustic Pendulums (1980) sound installation and performance for slow sweep oscillator, loudspeakers, bass drums and suspended ping pong balls
Words on Windy Corners (1980) for voices, tape delay system and moving loudspeakers
Lullaby (for Amanda) (1980) for solo voice, unamplified or amplified
Job's Coffin (1980) for amplified chest of drawers
Shapes of the Sounds from the Board (1979) for piano
Solar Sounder I (1979) sound installation powered and controlled by sunlight. In collaboration with electronic designer John Fullemann
Clocker (1978) for performer with galvanic skin response sensor, audio digital delay system, amplified clock and small loudspeakers
Ghosts (1978) for audio oscillator, loudspeakers, and performer with sound-sensitive light
Directions of Sounds from the Bridge (1978) sound installation and performance for stringed instrument, audio oscillator and sound-sensitive lights
Music on a Long Thin Wire (1977) sound installation for audio oscillator and electronic monochord
Tyndall Orchestrations (1976) for female voice, sensitive flame, players with bunsen burners and glass tubes, and recorded birdcalls
Bird and Person Dyning (1975) for performer with microphones, amplifiers, loudspeakers and electronic birdcall
Outlines of Persons and Things (1975) for microphones, loudspeakers and electronic sounds
Still and Moving Lines of Silence in Families of Hyperbolas (1973-1974) for singers, players, dancers and unattended percussion; new version for female voice, clarinet, flute, horn, mallet instruments, string quartet and pure wave oscillators (1984)
The Fires in the Minds of the Dancers (1974) movement of eight sound effects in a quadrophonic playback environment
World Music System (1972) for bowed string instruments
RMSIM 1, The Bird of Bremen Flies Through the Houses of the Burghers (1972) computer-controlled sound environment
The Queen of the South (1972) for players, responsive surfaces, strewn material and closed-circuit television systems
Gentle Fire (1971) for any number of synthesizers
The Duke of York (1971) for voices and synthesizers
Quasimodo the Great Lover (1970) for relays of amplification systems
"I am sitting in a room" (1970) for voice and electromagnetic tape
(Hartford) Memory Space (1970) for any number of instrumental players with recordings of environmental sounds
Hymn (1970) amplification of live sculptural activities
The Only Talking Machine of Its Kind in the World (1969) for speaker and tape delay system
Vespers (1968) acoustic orientation by means of echolocation, for players with hand-held echolocation devices
Chambers (1968) moving large and small resonant environments
North American Time Capsule (1967) for voices and vocoder
Shelter (1967) for vibration pickups, amplification system and enclosed space
Whistlers (1967, withdrawn) for recordings of ionospheric disturbances and electronics
Music for Solo Performer (1965) for enormously amplified brain waves and percussion
Mafia (1964) for pianist and four assistants
Composition for Pianist and Mother (1964)
Poem (1963) for string quartet
That the Night Come (1962, unfinished sketch) for five voices
Song (1962) for soprano
Action Music (1962) for piano, book one
Elegy for Albert Anastasia (1962-1965) electromagnetic tape - very low sounds mostly below human audibility
The Witch (1961) for female voice and three percussion players
Fragments for strings (1961) for string quartet
I Sing of a Maiden (1958) for soprano and instrumental ensemble
Sonata da camera (1956) for brass and percussion
Arioso and Allegro (1955) for piano
Partita (1954, withdrawn) for soprano and string trio
Concertino (1953) for oboe and string orchestra
Sonatina (1953) for piano
Kyrie (1952) for young women's voices with organ accompaniment
Theatre Music
"Skin, Meat, Bone" the Wesleyan Project (1994) in collaboration with actor Keith McDermott and director Robert Wilson
"Chinese Space" (1994) in collaboration with poet Mei-Mei Berssenbrugge and sculptor Richard Tuttle
"Childrens' Games" by Dick Wheeler (1993)
"King Henry V" by Shakespeare (1969)
"fire!" by John Roc (1969)
"Antigone" by Sophocles (1967)
"The Waters of Babylon" by John Arden (1965)
"The Maids" by Jean Genet (1959)
"Dr. Faustus" by Christopher Marlowe (1958)
Film Music
"Circles" by Takahiko Iimura (1969)
"White Calligraphy" by Takahiko Iimura (1968)
"Shelter 9999" by Takahiko Iimura (1967)
Television Music
"Philoctetes" by Sophocles (1967) WGBH-Television